الاحتفالية و صناعة الفرجة في مسرح عبد الكريم برشيد

Abstract EN

The Arab theatrical field witnessed several calls for deep-rooting the Arab theatrical phenomenon where lot of collective and individidual sayings have been declared trough which the sayings owners claimed for going back to the traditional forms that include the dramatical aspects and using them in the theoretical acts show.

The ceremonial theater tendencies.

Which tried to depend on the ceremonial.

and the rejoicing show dimensions realized by the traditional forms deep-rooted in the arab environment as the rug and the praise…employed in their drama shows.

Abdelakrim Berrachid is considered as the main pioneer of the ceremoial theater because of his joining between the theoretical and the rejoicing dimensions that were the goals of the group in purpose of founding a real arab theatre including the form and the content.

Hence hte question.

still asked here.

is how did the ceremonial and rejoicing elements manifest in dramas of Abdelkrim Berrachid ? And how did Berrachid of goy ?