نظرية التشاكل في الدرس النقدي العربي : من الملمح التأصيلي إلى المنجر التأسيسي.

Abstract EN

The Recent criticism discourse has managed to bring clear the process of grasping and framing a method primarily based on approaching the literary texts morphological and contextual characteristics, by using some hints that are of scientific conciseness and methodology wideness which enables it to reach the refreshed criticism objective.

It seems that the idea of harmonisation and coherence or cohesion took different forms at Arab critics in the ancient and contemporary courses .In our dissertation , there is a layout of the most important quotations that are relevant to the definition of isotopy consisting of harmony aspect in tackling a literary text.