دلالة الإيقاع في الخطاب الشعري المعاصر : مقاربة سيميو أسلوبية لبنية التوازي لدى محمود درويش

Abstract EN

Modern poetry is an innovative reflection of the abilities of the language of sound and semantics, as it is forced to move away from the old frameworks to create a new poetic vision that gives the text the power of continuity and influence.

In order to achieve this qualitative leap in breaking the poetic tradition and overcome it, the contemporary poet resorted to many of the technical phenomena that contributed to the formation of its structure and implications, Among these phenomena is parallelism as a stylistic value and an aesthetic artistic image, which gives the poetic text an aesthetic state that the poet employs to emphasize a particular idea and to make it the focus of his creative work.

The problem of the study focuses on highlighting the significance of the rhythm in the contemporary poetic discourse through Simeo's stylistic approach to the structure of parallelism and revealing its beauty in the poetry of Mahmoud Darwish, Its importance is derived from being an applied study of Mahmoud Darwish's poetry in order to reveal the extent of the poet's intention to employ the mechanism of parallelism and its importance in creative work and to achieve its aesthetic and semantic functions.