الراوي متكلما في الخطاب المقامي البديعي

Abstract EN

: The discourse in Maqama takes a literary form that is different from the pattern of the poem and other forms of writing.

It is a writing structure that should not be interpreted in isolation from the social, cultural and political contexts.

It might be easy to to view it as a narrative literary genre because of the use of the narrative elements as seen by the modern narration.

In addition to the occurrence of the narrative structure, the Maqama is a writing area where several literary genres overlap, based on the poetry rhythm and, besides to other forms of prose as discourse and proverb.

Accordingly, the aesthetic value of Maqamat is not viewed as being a tale, but as a special linguistic way by which a tale is told, i.

e.

a discourse.

Hence, it is not a tale reading but an approach to the discourse presented.

The one who looks at the Maqamat of Badi Azzaman al-Hamadani considers himself as a conscious listener and a story-teller enjoying all figures of speech and anecdote.

Thus, the 'Maqamat' is a well-structured literary tale in terms of style that only manifests its narrative structure within a threefold perspective including the hero, the narrator and the writer.

The later attempts to understand the social, political, cultural and artistic features through different roles attributed to both of the hero and the narrator