التشكيل البصري في ديوان الغرفة (8)‎ لأمل دنقل

Abstract EN

The research traces the visual composition in "diwan alghurfat 8 of Amal Dunqul", through his use of printing techniques (dot – comma – semicolon – two "horizontal – vertical" points – police – visual accent – black and white on the writing page), and the search connects to some of the results, and the most important:
-The visual formations in the poetry of the tafilah vary according to the psychological state of the poet.

Each poem has its own visual formation.

-Amal Dunqul employed punctuation marks to highlight his vision, and to clarify the significance he wants the reader to share with him, so these were the controlling marks in his poetic text.

- The subtitle came to him to stop and reflect on the true meaning that goes with us, and we do not see it.

- He used parentheses to draw the reader's attention to the importance of the parentheses.

He also used it to draw the reader's attention to his quotes.

- The relationship between blackness and whiteness gave multiple possibilities for reading his poetic text, because it does not follow a single formula in reading.