دور الموسيقى الفيلمية في ترجمة عاطفية الأداء الكلامي: المقاربة السيميوسياقية من مشاهد مختارة من فيلم معركة الجزائر

Abstract EN

This study is interested in revealing the most important stations that generate cinematic moments in the mind of the viewer, focusing on understanding the bond of commitment that revolves between the two basic variables (music and speech performance) in the relationship of their artistic partnership in the functions of socio-linguistic, psycho-aesthetic, and on the other hand, looking at understanding the type and level of emotions of the individual stemming from his representation of the verbal performance based on the seminal peculiarities symbolized by the musical note and the symbolism of the language speech and research in the way it performs in its dramatic context, and therefore, we find that there are psychological representations, and ethnomusicological expression in an authentic aesthetic way (original film music) that builds the means of the dual cognitive stage in the context of audiovisual viewing.